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Visiable Award Artist Statement

www.visibleproject.org

Curated by Matteo Lucchetti and Judith Wielander

2013 Visible Award: the jury as a public event
The 2013 Visible Award, on the occasion of its second edition, evolves its format, seeking an innovative approach that passes through a more transparent methodology around its jury session, which in this edition will take the form of a public event at the Van Abbemuseum in Eindhoven, The Netherlands. The jury session will not only be a debate between experts, in order to select an exemplary socially engaged art project, but rather a moment for sharing knowledge and collective learning, that in the process of assessing the winning project, will hopefully create an opportunity to put at work the vast network of professionals existing around the Visible project, that so far connects 45 curators, over 200 artists and 30 independent art spaces across the globe.

On the 14th of December 2013 a prestigious, interdisciplinary jury, chaired by Charles Esche and composed of a group of intellectuals operating in different fields of culture, will gather together in order to assess the merits of the artistic projects and select the winner of the 2013 Visible Award. The invited members of the jury are Tania Bruguera (artist, New York), Joseph Grima (architect, writer, former editor of Domus, Milan), Koyo Kouho (curator, Artistic Director of Raw Material Company, Dakar), Nikos Papastergiadis (contemporary social-cultural studies professor, Sydney), and Michelangelo Pistoletto (artist, Artistic Director of Cittadellarte, Biella). A sixth member of the jury will be represented by the vote of the audience who will gather at the Van Abbemuseum for the event. Please sign up for the event at this link, on the museum website.

The ten projects that will be assessed have been shortlisted among a list of 34 art projects nominated by the 2013 Visible advisory board and the 48 projects received, for the first time, through an open call. The ten shortlisted projects are Sammy Baloji, Kumbuka (Congo); Beta Local, From-Tool-to-Tool! (Puerto Rico); Mabe Bethonico, Museum of Public Concerns (Brazil); Bophana Audiovisual Resource Center, One Dollar (Cambodia); Beatrice Catanzaro, Bait Al Karama, (Palestine); Fernando García-Dory, Paese Nuovo / New Country – Borgate (Italy); Inkanyiso (Zanele Muholi), Oui Twenty/20 (South Africa); Ahmet Ögüt, The Silent University (Turkey); The Propeller Group, Christ the King of Bling (Vietnam); Ruangrupa, The Gerobak Bioskop (Cinema Cart) Network (Indonesia).

The long-listed projects will be made available on the Visible website by the end of November. The list features projects by the following artists and collectives: Arteam, Beyond Pressure (Moe Satt), Caminul Cultural, Futurefarmers, Thierry Geoffroy / Colonel, Marlon Griffith, Dor Guez, Honf – House of Natural Fibers, Suresh Kumar G, Iconoclasistas, Les Palettes du Kamer, Maha Maamoun and Ala Younis, Amina Menia, Mosireen, Maria Papadimitriou, Rafani collective, Rigo 23, Meir Tati, Temporary Occupations, Teatro de Operações, Bert Theis, Yeh Wei-li, Siren Eun Young Jung, and Arseniy Zhilyaev. The Visible team would like to express its gratitude to all of them for sharing their work with our network.

The Visible Award
The Visible Award is an international production award of 25,000 euros devoted to art work in the social sphere that aims to produce innovative artistic projects that are able to become visible in fields other than the artistic one.

The Visible Award is looking for artistic projects that in a radical and proactive way are able to rethink our cities in their approach to urban and rural communities, put into question education models while reconsidering different ways of sharing knowledge, support alternative models of economic development and new ideas for the allocation of resources, rethink the access to information or the priority of ecological and environmental needs, as well as experimenting with participatory and democratic political models. These are just few examples of how artistic processes can create areas for reflection and mobilization, acting as a field for action within the public domain, in favour of a reading of participation in art that considers the social body as a potential power for bringing about social change and transformation.

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