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Pasolini argued that cinema is like life, a chaos of possibilities, an infinite long-take which would not have a completed meaning if it were not for editing. Editing selects what is essential and transforms cinema into a film: "Editing is thus very similar to the choice which death makes of the acts of life, placing them outside of time" (HE, 250). While hardly a rigorous theory of cutting, this statement obtains, as usual, an intuitive, almost pedagogical, validity. Cutting interrupts the flow of a shot and declares, as it were, its death, its termination. Each cut give a temporal dimension to a shot and determines how long its life was. Each cut, then, demands that the spectator asses the meaning of a shot. Seen in this light, Pasolini's editing style inseminated his films with countless little deaths and acted as a constraint invitation to "final judgments."
A Certain Realism: Making Use of Pasolini's Film Theory and Practice, by Maurizio Viano.
Galerie Quynh is pleased to present The Propeller Group’s first solo exhibition at the gallery. Entitled ‘Static Friction’, the exhibition will consist entirely of new works including sculpture, drawing, video, and mixed media collages revolving around motorbike culture.
If you are in Ho Chi Minh City this month, check out The Propeller Group's latest show entitled Static Friction: Burning Rubber, located at San Art, 3 Me Linh street, district Binh Thanh, HCMC, Vietnam. March 30 - April 20, 2012.
"In this sculptural video installation, we witness a rider pushing the technological system beneath him to create a series of gestural marks in rubber on the ground. By refusing the ‘stop’ of a brake, by pushing its engine to its limit, we witness a mechanical system producing a mark, a ‘burn-out’ that is permanent — not dissimilar to the way social systems of control are being tested to new limits, to produce new forms of expression across the world that leave lasting effect."
For installation images and more information, check out The Propeller Group's project page here: Burning Rubber
Mr. Errol Morris’ new documentary “The Umbrella Man”, released exclusively for the New York Times, is a six minute short about the mysterious JFK assassination. “The Umbrella Man”, is the first of what Morris hopes will be a multi-part examination of the assassination, where
FAIL HARDER is an episodic documentary that follows the students of WK12 (the in-house advertising school at Wieden & Kennedy) as they learn the ropes of advertising.Produced by Wieden and Kennedy Entertainment and directed by Matt McCormick, FAIL HARDER is
Lars Von Trier’s “Melancholia”, hit the movie screens this weekend on November 11th. It has been available for online viewing since October 7th. An interesting choice to release the film online before it is released in theaters. Quoting the New